''A businessman who'd seen my  Mona Lisa  in New York (in 1993)  commissioned me to do something similar in Japan. Since the subject would be Japanese and the finished artwork would end up in Japan, I suggested they send me there to do the drawing. If I drew it in New York, it would cost them to get the artwork to Japan safely anyway,'' Mace reasoned. ''I told them they could consider the cost of the trip as partial payment and they took me up on the offer. Next thing you know, I'm in  Tokyo  for a month, and  Kyoto, where I drew the Toji pagoda on site. I never particularly cared about Japan, and if it weren't for that commission I might never have gone, but I saw an opportunity to travel and had a good reason, so I took it. That one month was like fate. I knew I started something there and couldn't just leave it at that, so I made plans to spend more time.'' 

If work as an illustrator defined Mace's career in the decade prior to 1994, Japan defined it for the decade that followed, and thereafter. Appearances at high profile art expos such as NICAF  in Yokohama and Tokyo's then-fledgling  Design Festa  during his first years there elicited art world and public interest. By 1997Mace was holding solo exhibitions at least twice a year in Japan. Exhibitions at Isetan department store in Tokyo became part of his rounds, and provided prestige; department store exhibitions garner mass media attention and, therefore, respect for artists in Japan... 


Click here to continue to the fully archived feature article

''May I help you?'' Van Orton asks. The man offers no verbal reply, but sets his drink down and points toward Van Orton's shirt pocket. Ballpoint cameo #1: a leaky pen has left a blue ink stain (this is why they invented pocket protectors!). 

​​​​RETROSPECTACLE   by E. Lee  originally posted Dec. 17, 2016​​

​​Lennie MaceTokyo, Japan

Decade 2 : 1994-2004  Global & Mobile







By 1994Lennie Mace had made a name for himself as an illustrator and had been exhibiting his ballpoint pen artwork in New York annually since 1990. Neither realizing it nor striving for it, he became the first artist to make news by using ballpoint pens to create halftone effects never imagined achievable, in fine figurative art which elevated the pens from their proletarian origins and association with doodling. Just as media attention and success was peaking in the US, even if only as 'that ballpoint pen guy', Mace suddenly packed up and moved to Japan, to the surprise of everyone and against the urging of advisors.  More below... 

​​​​BALLPOINTBRIEF   by E. Lee  December 19, 2017​​

​​Dog Years・September 29


Enter 2018, Year of the Dog  for Far-East Asia, where people send New Year cards instead of Christmas cards and artist Lennie Mace, as part of his long list of art activities, creates annual New Year cards to get in on that niche market in his adopted homeland Japan
    The designs follow the animals of the Chinese Zodiac. 2017 was the Year of the Bird, for which Mace created a design he thought might be a tough act to follow. ''It was my most successful card to-date, a near sell-out,'' he explains. It certainly helped that since a couple of years ago his New Year cards are also being sold through retail outlets as well as his own 'goods' website. Mace jokes that he may have to rethink the benefits of such wider distribution for cards originally initiated as a perk for ardent followers: ''I heard from a person who bought the cards, telling me they received the same card from someone else who'd obviously also bought cards!'' ...

Dog Chasing Tail  (pictured) © Lennie Mace/THE LAB  

The Ballpointer 's special online retrospective of Lennie Mace's ballpoint pen art will wrap up this month with Decade 3 : 2004-2014

New Year Cards & more can be ordered from lenniemacemarket.com

lenniemace.com presents a ticker-tape scroll of Lennie Mace artwork. 

BALLPOINTSTOCKING STUFFERS

A bevy of  ballpointery. Click on each book cover to buy for the aspiring  Ballpointer  on your holiday shopping list. 

For 2018, Mace tapped a motif with sentimental connection. As reported in The Ballpointer's online retrospective of his work, a series of imaginative Mace dogs were a highlight of his earliest exhibitions, circa 1990. Features of this year's Dog Chasing Tail  bear likenesses, but updated with newer tricks from his ballpoint repertoire. Mace employed his innovative ''stop-motion'' effect, which shows extremities such as arms or legs in different stages of movement, but this time via his ''invisible ink'' dry-pen technique. Mace regarded that stop-motion effect as an ''accidental innovation'' stemming from a lack of preliminary sketches and indecision about which extremity worked best, but it soon became part of his vocabulary. ''It shows the drawing process, expresses movement in an otherwise inanimate image, and creates an interesting pictorial.'' Mace also positioned an actual Japanese postage stamp on this dog's tongue, harkening back to his practice of applying stickers and stamps to relevant drawings. A 'Year of the Dog'-related stamp was bought at his local post office during a break in drawing. 
    The ballpoint elder  corrected my observation that this may be the most 'Mace-like' design of the series thus far: ''I wouldn't saythat ; for sure there's much that longtime fans will quickly recognize, but all the card designs present different aspects of what I do in some way or another.'' Still, Mace admitted some uneasiness that his dog design might've strayed too far from Japanese sensibilities, even for customers who opt for his cards for that very reason. Positive response upon release proves his concerns unwarranted

Those kinds of promotional pens, otherwise seen as 'bad ' ballpoints, are actually the go-to pen for ballpointers needing to fill in large areas or lay down thicker layers of ink

Read more K. RieSTARPOINTS on the CULTUREDpage

    STARPOINTS  by K. Rie  posted October 13, 2017

All but the keenest viewers may have missed the many ballpoint pen cameos on screens big and small over the years. Ballpoints are regulars in Hollywood productions, and not just as set dressing... 

Pen Game

The Game  1997・Director David Fincher 
t​​​Early in the movie, jaded, haunted financier Nicholas Van Orton (Michael Douglas) is waiting in an airport boarding area. A real-life, real-time 'game' is about to turn his life upside down. The game came via a gift-card presented to him on his 48th birthday by his younger brother​ Conrad (Sean Penn), who claims to have participated recently and recommends it. 
​​    Van Orton is given the impression that he failed an entry exam which would've allowed him to initiate his game, but we soon learn this is actually part of it. In a scene marking the unannounced start of Van Orton's game, two ballpoint pen-related phenomena make an appearance within less than a minute of screen time. 

Van Orton notices the man across from him is staring at him.

Picking up where he left off last July  (Decade 1: 1984-1994),  

E. Lee's online retrospective of ballpointer  Lennie Mace  continues, from slideshow presentations and notes compiled during a week-long visit to the artist's  Ena Castle  in Japan last January…

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INKBLOTTER   last revised December 19, 2017

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Van Orton extends a 'Thank you' to the man and tosses the leaky ballpoint on the table as he rushes to the nearest washroom. Ballpoint cameo #2: It's a vanity ballpoint pen, emblazoned with a company name, in this case CRS; it's the name of the company which produces these 'games', Consumer Recreation Services

News, Reviews & Coverage of the Artists using Ballpoint Pens, the Artwork They Create, the Tools They Employ & Other Equally Newsworthy but Overlooked Art & Cultural Topics, Worldwide.

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Next installment, Winter 2017 :  Decade 3: 2004-2014 


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Slideshow above : All artwork Media Graffiti series and 365DAZE project; ballpoint pen on printed matter. All artwork  © Lennie Mace.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​OFF TOPIC  Points of interest in the arts, from elsewhere on the internet

artnetDo Outsider Artists Really ExistAnthony Haden Guest・Jan 22, 2016 

The Report: Aging elbow-rubber and chronicler of the 1970s, 80s and 90s celeb social circuit Haden-Guest was fishing for a timely topic to chime in on and he found one in Outsider Art. Although he touches on some valid points, the article is provided no space for him to actually go anywhere with it. Just lots of name dropping — Henry Darger, Adolf Wolfi, Joe Coleman — enough to prove he may still know what he's talking about.

The Point: Usage of ballpoint pens to create art has its own outsider element of which Haden-Guest is either unaware or wasn't provided enough space to touch upon. But his closing statement about the "surge of faux, unfelt Outsiderism into the marketplace" hits a nail on the head. Whatever will cover the high cost of an art-star lifestyle and expensive gallery space; a Jeff Koons exhibition of ballpoint PEN tings would fit that description.  B. Neufeld


Associated PressDetroit police issue warrant for street artist Fairey artwork・June 25, 2015 
The ReportShepard Fairey, ''who created the  Hope poster that came to symbolize President Barack Obama's 2008 campaign'' vandalized buildings across Detroit, and ''would be arrested if he returns to Detroit and doesn't turn himself in ''. Fame ''does not take away the fact that he is also a vandal '', a police sergeant is quoted as saying.
The Point: Indeed, this is still what it takes to be considered 'cool' in the 21st century. Personally, I 'Hope ' he's made an example of.  R. Bell  


NewsweekFox Channel Blurs Out Breasts on Picasso PaintingLucy Westcott・May 15, 2015   

The Report: Pablo Picasso's The Women of Algiers (1955) broke the record for most expensive work of art to sell at auction, but apparently had its bare nipples blurred during a news report of the sale.

The Point: Considering Picasso's cubist painting style, the only way an impressionable mind would even recognize 'nipples' is if someone told them they were nipples, and the only way they would consider nipples bad would be if someone taught them they were bad. Apparently someone at Fox must've been cut off from mother's milk too soon and still holds a grudge.  B. Neufeld  


BBC NEWS (UK)Painting sale sets $300m record・Feb 7, 2015   
The Report: Paul Gaugain's Nafea fas ipoipo? (1892) was privately sold for $300 million to an unidentified buyer in Qatar
The Point: That same amount of money could... A: Buy 300 works of art for a million dollars each. B: Buy a million artworks for 300 dollars each. C: Feed the unfed of the world. D: Wipe my ass 300 million times at a buck a wipe. E: All of the above.  B. Neufeld  


The Globe and Mail (Canada)When Iggy Pop can't live off his art, what chance do the rest have?

Elizabeth Renzetti・Oct 17, 2014   
The Report: The 'godfather of punk' says he'd have to ''tend bars between sets'' if he had to live off of royalties from his music alone, because 'everyone wants to listen' but 'no one wants to pay'. 
The Point: The important matter of artistic value in the easy-access digital age. Visual artists face the same challenge.  O. Lebron 

National Doodle Day (UK)drawing a line through epilepsy・Annually? 

The Report : Originating from the UK and operated by Epilepsy Action, National Doodle Day is a fundraising event to benefit ''600,000 people in the UK living with epilepsy''. 

The Point : Epilepsy! Donate a doodle, buy a doodle or learn how you can get involved in other ways.  O. Lebron  

Daily Mail Online (UK)As prices for Damien Hirst's works plummet, pity the credulous saps who spent fortunes on his tosh・November, 2012 
The Report : Auction prices for Damien Hirst artworks are falling and some are being withdrawn unsold, circumstances cheered by the proudly biased (''Finally...!'') writer of the article (Ruth Dudley Edwards?). 
The Point : At the time of Hirst's rise as darling of the art world (mid/late-1990s), suckers still speculated on art-as-trophy-investment. What's happened since then is a fine example of what happens when the now-proverbial 'wow factor ' is all you have. After the thrill is gone, someone is bound to notice: ''Uhm, it's a shark. In a tank... Isn't that what Museums of Natural History or aquariums are for ?''. It's just as much the fault of the media for reporting about such bull-shit-artists  in the first place.  B. Neufeld