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Being a Scorsese/De Niro film, you know Joe Pesci can't be far off, this time as mobster Nicky Santoro seated to Sam's left. Nicky turns just in time to see and hear the offense. Doh!
Before Wiseguy even knows what hit him, Nicky is jabbing the pen into his neck; thirteen times, quick succession. Wiseguy is on the floor by the seventh. Then comes that Pesci Kick, the one popularized in Goodfellas five years earlier. More stabbing, kicking, and a wheezing Wiseguy.
INKBLOTTER last revised March 22, 2017
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Since 2014・Volume 4
News, Reviews & Coverage of the Artists using Ballpoint Pens, the Artwork They Create, the Tools They Employ & Other Equally Newsworthy but Overlooked Art & Cultural Topics, Worldwide.
March 4—30, 2017 NOW UP
The Paintings of Pepe Lozano solo exhibition
Salas de Arte del Hotel Averroes Cordoba, Spain
New oil paintings by Spanish artist Pepe Lozano bearing compositional similarities to recent hyperrealist works done in ballpoint pen (Menelaopictured cropped, oil on canvas). Salas de Arte del Hotel Averroes is celebrating 10 years of exhibitions. More info.
All but the keenest viewers may have missed the many ballpoint pen cameos on screens big and small over the years. Ballpoints are regulars in Hollywood productions, and not just as set dressing...
Pen In The Neck
・Casino 1995・Director Martin Scorsese
Picking up where he left off last July (Decade 1: 1984-1994),
E. Lee's online retrospective of ballpointer Lennie Mace continues, from slideshow presentations and notes compiled during a week-long visit to the artist's Ena Castle in Japan last January…
RETROSPECTACLE by E. Lee originally posted Dec. 17, 2016
Lennie Mace・Tokyo, Japan
Decade 2 : 1994-2004 Global & Mobile
By 1994, Lennie Mace had made a name for himself as an illustrator and had been exhibiting his ballpoint pen artwork in New York annually since 1990. Neither realizing it nor striving for it, he became the first artist to make news by using ballpoint pens to create halftone effects never imagined achievable, in fine figurative art which elevated the pens from their proletarian origins and association with doodling. Just as media attention and success was peaking in the US, even if only as 'that ballpoint pen guy', Mace suddenly packed up and moved to Japan, to the surprise of everyone and against the urging of advisors. More below...
Slideshow above : All artwork Media Graffiti series and 365DAZE project; ballpoint pen on printed matter. All artwork © Lennie Mace.
March 25—27, 2017 THIS WEEKEND ONLY
Group exhibition of paintings & sculptures
Art N Heart Gallery Indore, India
New ballpoint pen originals by Munaf Shaikh on display as part of a 3-day art event. More info.
Listings published courtesy of The Ballpointer, space permitting.
Something you'd like to see? Something you'd like us to see?...
''Well thank you,'' Wiseguy snaps. ''Now why don't you take that fuckin' pen and shove it up yer ass you fuckin' jag'off.''
Another ballpoint cameo having nothing to do with drawing. Robert De Niro, as casino boss Sam ''Ace'' Rothstein, finds a fancy ballpoint pen on a bar counter in front of him. He taps the shoulder of a customer to his right. The clearly annoyed man turns as Sam holds up the pen and asks, ''This yours?''
Nicky, bloody pen-in-hand, shouts down at Wiseguy, ''What's that, you hear a little girl, Frankie? You hear a little girl, Ace? Is that a little fuckin' girl? What happened to the fuckin' tough guy who told my friend stick it up his fuckin' ass, huh?!''
Sam's narration sums up the proceedings and closes the scene: ''While I was trying to figure out why the guy was saying what he was saying, Nicky just hit 'im. No matter how big a guy might be, Nicky would take 'im on. You beat Nicky with fists, he comes back with a bat. You beat him with a knife, he comes back with a gun. And if you beat him with a gun you better kill 'im, 'cause he'll keep comin' back and back until one of you is dead.'' It really was a nice pen・
＊Read more K. RieSTARPOINTS on the CULTUREDpage
''Yeah, that's my pen,'' the bulky Wiseguy affirms, ''Why?''
''Well, it's a nice pen,'' Sam explains. ''I didn't know whose it was. I thought if it's yours, I don't want anyone else to...''
''A businessman who'd seen my Mona Lisa in New York (in 1993) commissioned me to do something similar in Japan. Since the subject would be Japanese and the finished artwork would end up in Japan, I suggested they send me there to do the drawing. If I drew it in New York, it would cost them to get the artwork to Japan safely anyway,'' Mace reasoned. ''I told them they could consider the cost of the trip as partial payment and they took me up on the offer. Next thing you know, I'm in Tokyo for a month, and Kyoto, where I drew the Toji pagoda on site. I never particularly cared about Japan, and if it weren't for that commission I might never have gone, but I saw an opportunity to travel and had a good reason, so I took it. That one month was like fate. I knew I started something there and couldn't just leave it at that, so I made plans to spend more time.''
If work as an illustrator defined Mace's career in the decade prior to 1994, Japan defined it for the decade that followed, and thereafter. Appearances at high profile art expos such as NICAF in Yokohama and Tokyo's then-fledgling Design Festa during his first years there elicited art world and public interest. By 1997, Mace was holding solo exhibitions at least twice a year in Japan. Exhibitions at Isetan department store in Tokyo became part of his rounds, and provided prestige; department store exhibitions garner mass media attention and, therefore, respect for artists in Japan...
BALLPOINTBRIEF by E. Lee posted November 14, 2016
In Japan, people send New Year cards, not Christmas cards. New Year cards follow the animals of the Chinese Zodiac—also traditionally recognized in Japan—changing animals every year over the course of twelve years, then starting again. For a growing number of people, sending Lennie Mace New Year cards is part of the tradition. 2017 brings the year of the Rooster (following the year of the Monkey, 2016), and marks the seventh entry to Mace's ongoing New Year card art series...
August 19—September 15, 2017 THIS SUMMER
Endless Wave solo exhibition
Subliminal Projects Gallery Los Angeles, CA (USA)
New ballpoint pen originals and prints by the British art duo Kai & Sunny at the gallery owned by Shepard Fairey (print collaboration between the three, incorporating Fairey's iconic Obey graphic, pictured cropped). More info.
The Rooster of the Chinese Zodiac, which has a backstory far too complicated to outline here, is often simplified as the year of the Bird, leaving the image more open to interpretation than Mace has thus far had as his guideline, but the absentee New Yorker gets mythological by basing his rooster (pictured above) on Japan's Hō-Ō phoenix. The bird is familiar to Japanese people, appearing not only as a roof ornament atop a historic temple in Kyoto, but also on the back of the Japanese ¥10,000 note (pictured below).
Mace's cards are distributed for sale in select shops around Tokyo, but we recommend interested parties to order them straight from the artist, himself. The cards—this year's Rooster and all previous—can be found on his 'goods' website lenniemacemarket.com, sold in packs of 10 cards. Care enough to send the very best ・
Postcards, prints & more Lennie Mace artwork: lenniemacemarket.com.
¥10K Hō-Ō Phoenix new year card art (above) © Lennie Mace.
OFF TOPIC Points of interest in the arts, from elsewhere on the internet
The Report: Aging elbow-rubber and chronicler of the 1970s, 80s and 90s celeb social circuit Haden-Guest was fishing for a timely topic to chime in on and he found one in Outsider Art. Although he touches on some valid points, the article is provided no space for him to actually go anywhere with it. Just lots of name dropping — Henry Darger, Adolf Wolfi, Joe Coleman — enough to prove he may still know what he's talking about.
The Point: Usage of ballpoint pens to create art has its own outsider element of which Haden-Guest is either unaware or wasn't provided enough space to touch upon. But his closing statement about the "surge of faux, unfelt Outsiderism into the marketplace" hits a nail on the head. Whatever will cover the high cost of an art-star lifestyle and expensive gallery space; a Jeff Koons exhibition of ballpoint PEN tings would fit that description. B. Neufeld
Associated Press・Detroit police issue warrant for street artist Fairey artwork・June 25, 2015
The Report: Shepard Fairey, ''who created the Hope poster that came to symbolize President Barack Obama's 2008 campaign'' vandalized buildings across Detroit, and ''would be arrested if he returns to Detroit and doesn't turn himself in ''. Fame ''does not take away the fact that he is also a vandal '', a police sergeant is quoted as saying.
The Point: Indeed, this is still what it takes to be considered 'cool' in the 21st century. Personally, I 'Hope ' he's made an example of. R. Bell
Newsweek・Fox Channel Blurs Out Breasts on Picasso Painting・Lucy Westcott・May 15, 2015
The Report: Pablo Picasso's The Women of Algiers (1955) broke the record for most expensive work of art to sell at auction, but apparently had its bare nipples blurred during a news report of the sale.
The Point: Considering Picasso's cubist painting style, the only way an impressionable mind would even recognize 'nipples' is if someone told them they were nipples, and the only way they would consider nipples bad would be if someone taught them they were bad. Apparently someone at Fox must've been cut off from mother's milk too soon and still holds a grudge. B. Neufeld
BBC NEWS (UK)・Painting sale sets $300m record・Feb 7, 2015
The Report: Paul Gaugain's Nafea fas ipoipo? (1892) was privately sold for $300 million to an unidentified buyer in Qatar.
The Point: That same amount of money could... A: Buy 300 works of art for 100 million dollars each. B: Buy a million artworks for 300 dollars each. C: Feed the unfed of the world. D: Wipe my ass 300 million times at a buck a wipe. E: All of the above. B. Neufeld
Elizabeth Renzetti・Oct 17, 2014
The Report: The 'godfather of punk' says he'd have to ''tend bars between sets'' if he had to live off of royalties from his music alone, because 'everyone wants to listen' but 'no one wants to pay'.
The Point: The important matter of artistic value in the easy-access digital age. Visual artists face the same challenge. O. Lebron
The Report : Originating from the UK and operated by Epilepsy Action, National Doodle Day is a fundraising event to benefit ''600,000 people in the UK living with epilepsy''.
The Point : Epilepsy! Donate a doodle, buy a doodle or learn how you can get involved in other ways. O. Lebron
Daily Mail Online (UK)・As prices for Damien Hirst's works plummet, pity the credulous saps who spent fortunes on his tosh・November, 2012
The Report : Auction prices for Damien Hirst artworks are falling and some are being withdrawn unsold, circumstances cheered by the proudly biased (''Finally...!'') writer of the article (Ruth Dudley Edwards?).
The Point : At the time of Hirst's rise as darling of the art world (mid/late-1990s), suckers still speculated on art-as-trophy-investment. What's happened since then is a fine example of what happens when the now-proverbial 'wow factor ' is all you have. After the thrill is gone, someone is bound to notice: ''Uhm, it's a shark. In a tank... Isn't that what Museums of Natural History or aquariums are for ?''. It's just as much the fault of the media for reporting about such bull-shit-artists in the first place. B. Neufeld